Othello and the Arbiter of Fate

Arbiter of Fate\n ar people puppets of fate, or do they have free bequeath? This is a complex and fire question to ponder, especially in the context of works the likes of William Shakespeares Othello, which have a cunning and conniving puppeteer. sometimes it is easy for the reader to cerebrate that Othello is simply a puppet, cosmos strung along, almost mindlessly, by Iagos guile, wit, and malice, as Iago short orchestrates and executes his plan for Othellos downfall. still skilled in equivocation, without at to the lowest degree a reliable measure, or at least allowance, of free will, Iago would non be able to manipulate Othello so easily. Musician Dave Matthews once stated, The homo and the universe are farthest more wonderful if theres not a puppet master. By giving Othello the illusion of the personnel that Iago knows he so urgently longs for, capitalizing on the insecurities that Iago is so shrewdly aware that he has, Othello is cosmos bated with his anxious desi res and graciously accepting the power to preserve his own downfall.\n\nThe lifestyle that Othello is lively is unusual and arguably abnormal. Because of his skin color, he is seen as other in his lodge. dis think of this, Othello has amassed a significant amount of power and status amongst the Venetian soldiers. Though he has gained respect due to his military prowess, the Venetians are not blind to Othellos race. He is useful soldier, and his use allows him to take his decidedly un-Moorish position in the society, however, when he seeks to marry Desdemona, a beautiful, young, upper class egg white woman, his once tolerant community regards him with suspicion and malevolence. He is impeach of using tricks and magic to pee-pee Desdemona against her will. He is forced to maintain that he has no dark, base, or lustful intentions with her, and even after he and Desdemona refute the claims that her heart and soul was not earned b...