The visual exploration of the tail s childhood makes the Phantoms plight every(prenominal) last(predicate) the same more understandableFilm re takeer Michael Brody compliments the set plan in the word-painting Schumacher delivers a perfect visual reading of the arranged production to the screen : the Phantom s Lair is devoted a cavernous shape the opera house an architectural masterpiece , and every nook and cranny of the setting feels uniform an authentic setting rather than a prop in a movie theatreed play (Brody , 2004 . Stella Papamichael accuses the director of relying besides ofttimes on sets than inventive choreography and there is no winding of honorable emotion in the intimate scenes (Papamichael , 2004 Carina Chocano , Times ply writer has opined that the real problem with Phantom is the problem with Andrew Lloyd Webber musicals in customary It s a slow-moving orgy of lowbrow palaver that s as tedious as it is overblown and pretentious (Chocano , 2004 .
tyro Scott of the vernal York Times is quite harsh in his view of this film : This screen version , for all its wailing emotionalism and amplify production design , lacks both authentic womanize and the clap of memorable spectacle (Scott , 2004The situations are a bit too spectacular and characters a bit on the darker side in this movie . The characters are somewhat unrealistic and especially the stigma of the Phantom is not well etched . However the actors do stage their characters well and sing gorg! eously . The exquisite row ternary of Emmy Rossum embodies the spellbound Christine s sweetness and vulnerability , with her verbalize confrontation all the challenges posed by the songs (Murray , 2004 . She is also very beautiful and fits the social function . Patrick Wilson , as wild-eyed Raoul has that swashbuckling , romantic flair postulate to fill the role and a sheer tenor voice (Murray , 2004 . Gerard Butler has a raw sulfurous appeal though...If you penury to get a full essay, erect it on our website: OrderCustomPaper.com
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