Timeline of British Crime Films of the 20th Century

British Crime Films Of The 20th deoxycytidine monophosphate 1910-1920 WW1 (1914-1918), Depression, Unemployment, men out in France Fighting. 1911 A Burglar For one Night (Bert Haldane) quiet Film Deals with unemployment (A problem at the meter) A objet dart fired from his job, turns to annoyance besides is rescued by his lover. Due to the war, the British crime consider indus fork over slowed pass a little. People didnt extremity to be reminded of the harshness of realistic carriage that wanted to be interpreted away from the war and real smell therefore, crime removes didnt properly re-start until the new-fangled 20s thank to Alfred Hitchcock. 920-1930 The Great War had ended and things were flavour better for Britain as unemployment and poverty change magnitude during the 20s. 1927 The Lodger A fib of the capital of the United Kingdom Fog (Hitchcock) Silent the initial true Hitchcock dissipate About a man thought guilty by the practice of law to be the c ause of death of his sister amongst former(a) beautiful women but is in fact innocent and is trying to kill the killer himself. A mob try an approach path him thinking hes the killer but the real killer is caught just in time for him to be spared.He and his lover live mirthfully ever after. 1929 Blackmail (Hitchcock) Thriller playing period first off truly British talkie film but began as a silent film beautiful blonde accidentally kills rapist. A man knows shes involved and blackmails her into telling the police. He gets blamed (due to his criminal record), chased and dies dapple she is left innocent. 1930-1940 British crime film prospered and different formats of film became usual, especially the cloistered investigator film including the visualisation of the Sherlock Holmes Mysteries. 940-1950 When WW2 was stated in 1939, instead of stopping entirely crime films adapted with films like, 1941 Cottage to allow (Asquith) A spy film counterbalance in military personne l War II Scotland, its plot concerns Nazi spies trying to swindle an inventor. 1945 Waterloo Road (Gilliat) An AWOL soldier returns to south London to save his wife from the advances of a philandering draft-dodger As the immediate post-war period guardianship condenseed on work partys that had evolved in the bedlam of the urban home front. 1947 Brighton Rock (Boulting) ilm noire This drama film centres on the activities of a gang of assorted criminals and, in particular, their leader A psychopathic young hoodlum cognise as Pinkie The films main thematic concern is the criminal underbelly straightforward in inter-war Brighton. 1947 Hue and Cry (Charles Crichton) A vivid portrait of a London pipe down video display the damage of World War II. London forms the backdrop of a crime-gangster plot which revolves around a lying-in childrens street culture and childrens secret clubs. 950-1960 focus shifted again in the 50s where it looked at how younker crime was on the rise. 1953 Cosh boy (Gilbert) 1960-1970 as organised crime became a reality in Britain the crime film shifted on the activities of criminal gangs and also was starting time to present the criminal of the film as a hero 1967 Robbery ( Yates) follows a gang performing the great tutor robbery The film follows their POV as the police try and hunt them down 1969 The Italian transaction (Collinson) gang of British thieves take on Europe in order to make unnecessary British superiority and honour 1970-1990 organize crime films still retained their popularity until the late 90s where focus began to shift again. Until then crime films focusing on gang crimes remained popular be it with different themes like prostitution, ira and the Irish civil war or living in an urban lifestyle. 1971 run low Carter (Hodges) 1980 The long Good Friday (Mackenzie) 1986 Mona Lisa (Jordan) 1990 The Krays (Medak) 1996 Small Faces (MacKinnon)Late 90s the general working-class criminal came back int o focus curtly after this that addressed the victim-criminal and the career-criminal. 1996 Trainspotting (Boyle) placed drugs as the main focus of the film showing how drugs inflict onto society how the victims of drugs need to endow crime to support their habit. Going into the twenty-first century British crime films still relate around current loving problems like drugs, prostitution etc they have reach more stylised, gritty and realistic. Less amorous which was think on in the archaean 20th century and more focused on current issues happening in the world today and real people.